[…] and 1986, 14, mostly politicians, appear in the not very extensive index to Kelsey’s book, but Kelsey doesn’t mention this programme. How important this and the other propaganda operations carried out by CIA and State Department fronts are, I don’t know. But it all helps. In a way it would be reassuring to know […]
[…] funding bodies (with political targets) and other think tanks (including Peter Mandelson’s) which were created by or modified specifically to aid the government and its private agencies, propaganda outlets and front organisations. This was well underway when Lloyd decided to throw in his lot with the FPC, which: ‘…accepted more than £100,000 from an […]
[…] creating justifications for enacting those plans. Bush, Cheney and Rumsfeld created their own intelligence apparatus, not only to produce the desired results, but also to wage a propaganda war on their own population. Of course, this material has been out there for years, but what is interesting in this new look at it is […]
[…] said that Plimpton was ‘very close to the Congress of Cultural Freedom and very involved with their activities’. This was all part of Eisenhower’s scheme to ‘privatize’ propaganda. The Congress of Cultural Freedom, one of whose original members was Tennessee Williams, played an important role in all of this. Notes 1 It’s cited by […]
[…] which included Special Branch, military intelligence, MI5 and MI6, was uncoordinated, Much has been written about that period, some of it honest journalism, but most of it propaganda inspired by the terrorists and their supporters….’ (emphasis added) Boy, has Dillon changed his tune! As usual with British authors working this field, most of his […]
[…] statements, and threats – were genuine, Inf Pol was stirring the pot with unattributable briefings to the media trying to exploit themes suggested by the UCA’s own propaganda. It is also possible to argue that this Inf Pol briefing on the UCA is itself also a phoney. But then it is possible, in principle, […]
[…] film rights to the book and then hired Louis de Rochemont as producer. Cohen also wrote a lengthy article on the film for Animation World Magazine. ‘Animated propaganda during the Cold War’ in the issue dated 21 February 2003. (Also available at ). An edited version was published in The Guardian 7 March 2003 […]
[…] Clearly the dead man had been a member of the IRA; but he was only sixteen, and probably a low-grade operator. The IRA opened up a vociferous propaganda barrage, producing pictures taken seven or eight years earlier, when the youth was singing in a choir, and presenting us as having killed a choirboy (p. […]
[…] (9) (See review in Lobster 30) On the 1970s there are two sources worth a look. The major one is Paul Lashmar and James Oliver’s Britain’s Secret Propaganda War 1948-1977 (10) (See review in Lobster 37) chapter 16. The other is a section of chapter 10 of Alistair McAlpine’s memoir Once a Jolly Bagman.(11) […]
[…] Communist Party after the war. But there’s the paradox: while I was protesting about US bases in Scotland, I was sucking down huge amounts of American cultural propaganda: books, music, films. Aged 16, dressed like Jack Kerouac, I dreamed of playing trumpet like Miles Davis and harmonica like Little Walter. Who destroyed the Soviet […]
